Unloved
exhibition at Rua Red, Dublin (October - December 2019)
curated by a/political
about:
Franko B has championed the rights of the “unloved” since his seminal bleeding performances in the 1990s. At the present, when Ireland is interrogating the Church and the State for the abuse of thousands of children and adults, the artist confronts us with his advocacy on behalf of those let down by the institutions designed to help them.
A red cross is tattooed on Franko B’s heart and is repeated like a pulse all over his body. For many, it is a symbol synonymous with care-giving, particularly the ‘protected persons’ helping the sick and wounded in areas of armed conflict. For Franko B, it reflects the trauma of his youth and his personal, political and poetic desire to undo the wrongs imposed on him as a vulnerable child. Having been raised in an orphanage and subsequently in a boarding school run by the Italian Red Cross, Franko B uses his own childhood experiences in the exhibition Unloved to examine ongoing exploitation, negligence and abuse of power.
Throughout Unloved, Franko B foregrounds photographs of victims of atrocities that the press and digital media relentlessly force us to consume. In his piece The World is Bleeding, 2019, he clashes images that highlight a mixture of famine, power, poverty, neo-colonialism, beauty and war in a stream reminiscent of an Instagram scroll. As Susan Sontag observed, “We want the photographer to be a spy in the house of love and death” (Regarding the Pain of Others, 2003); here Franko B bestows this privilege on us.
For the first time, Franko B presents thirty-three canvases, stitched with a pain previously inflicted on his punctured body. For each portrait, Franko B conflates the distance between photographed subjects and the audience, stripping them of captions, locations, the identity assigned at birth and the colour of the skin, focusing instead on their tormented, adolescent bodies. Distilling the image from these qualities leaves the audience with nothing to feed their prejudice against ‘them’. In a democratic and humanitarian gesture, he connects the war-front and the home-front, both engulfed in the pain of poverty.
Marking the opening of the exhibition, on 18 October, Franko B will deliver UNLOVED - a one-off performance at Rua Red. The performance, featuring the works from the series Homage to the New World Order, 2017, manifests the artist’s violent resistance against institutional abuse and negligence.
catalogue:
photos:
photographs by Thomas Qualmann
photographs by Hugo Glendinning
video:
interviews:
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• Rua Red Director Maolíosa Boyle in conversation with artist Franko B and curator Sylwia Serafinowicz
(October 2019)
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• Franko B "Unloved"
interview by Valeria Ceregini (2019)
comments:
works:
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• Unloved
performance (2019)
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• Unloved
installation of ceramic sculptures (2018-2020)
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• Lost Boys
series of ceramic wall hangings (2017-2019)
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• Homage to the New World Order
mechanically engraved Black Zimbabwe Granite (2017)
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• Stitches on Canvas
stitched drawings on canvas (2009-2018)
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• Neon
neon works (2001-2024)
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• Time Travels
series of multi-media sculptures (2018-2020)